Materials ·

Living with Stone and the Beauty of the Break

Fragments of white Carrara and black Nero Marquina marble with reeded glass against travertine

Stone is the oldest finish in any house we touch, and the one clients ask about most. It is also the one most often specified too carefully: honed to perfection, sealed flat, chosen so it will never look like what it is.

We prefer to let it show its nature. Travertine with its open pores left unfilled. Marble with a chipped, split face rather than a polished edge. A single black slab with one bright vein running through it, placed where the light can find it.

How we pair stones

  • One quiet, one loud. Pale travertine or limestone as the ground, with one dramatic marble as the accent.
  • Mix finishes. A honed floor, a split-face hearth and a polished basin read as one family, not three decisions.
  • Add glass. Reeded or clear glass in front of stone softens it and lets light move across the surface.
The best stone looks as if it was found, not ordered.

Visit the yard, not the showroom. Every slab is different, and the piece you fall for is rarely the sample in the catalogue. We walk the yard with clients, mark the slabs we want, and lay out every cut before it is made.

And accept the marks. Stone etches, stains lightly and wears at the edges. Within a few years it stops looking new and starts looking like it belongs to the house.

← All entriesNext: The Quiet Art of the Vessel